His face was a charred, burnt red. Like roasting meat pulled from the flames, it was a deep, swollen burgundy. His right eyelid had been blown away leaving a milky white ball with only the cloudy remains of iris and retina. There were no protective lashes or thick brows to shield the exposed ivory bulb. His left eye, relatively intact, was a crisp mahogany; it wasn’t a depthless brown, but a rusted wooden floorboard brown. His lips were a faded wormy pink and puffed up in the right corner. There were shiny burns and hard sores that disrupted the surface of his haggard, tender flesh. His hands were charred stubs, thick scar tissue nubs sprouted from where his fingers use to be. He fumbled with a navy blue baseball cap and sloppily mouthed words that spilled out like dried beans on a linoleum floor. Hobbling towards me, he continued to mumble and I, despite a twinge of compassion, pulled away, averting my eyes and briskly stalking toward a secluded indoor café.
He was a landmine victim. Cambodia is the single most landmine-ridden country in all of Asia. Every travel book and website I have read about Cambodia ominously warns against straying from well-worn paths, particularly up in the sparsely populated mountains and along the Thai border. Landmines are an American legacy; President Nixon had landmines planted during the Vietnam War, a measure taken to “quell” any insurgency that could be regrouping inside Cambodia’s borders. But it wasn’t the armed military or Vietnamese guerrillas who became the victims of the mines; women and children wandering across the open, grassy fields were arbitrarily blown to bits. Pol Pot, the ugly and ferocious Marxist revolutionary, planted even more landmines—particularly along the Cambodian border with Thailand—to dissuade the victims of mass murder from fleeing to safety. READ MORE

Cambodian culture is not only distinct, but it is distinct in a visible way. By visible, I mean that as an American it is easy to detect the differences between my way of life and a Cambodian’s way of life – the food, the language, the “dress code,” and of course, the vast economic and political differences. But by visible, I also mean something that is perhaps more obvious, and definitely more indicting of the way my life is organized in America.
It was a constant sort of hum-chanting that filled the room with a warm, radiant vibration. Four monks, ranging in age from about 20 to about 60, sat on the floor of our large conference room. Shrouded in large pieces of orange or red fabric, they chant-hummed in a harmony that seemed to swell through the room like sweet incense smoke. My knees hurt from kneeling on a reed mat. I was lost; the language was foreign, the moments of bowing strange. I felt terribly out of place.